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Master of Arts in Recording & Music Production (1ª ed.)

Master of Arts in Recording & Music Production (1ª ed.)

Centro de Enseñanza Superior Alberta Giménez- Comillas

Máster semipresencial

Palma de Mallorca (Islas Baleares)


4.292
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Localización

Fecha inicio

Palma de Mallorca

Objetivos

Provide graduates with the tools to produce and record acoustic music in all its phases and at the highest level. Achieve the skills to design recording and mixing systems for different environments: Cinema, video games, TV, Radio, streaming etc … Provide graduates with the necessary acoustics tools for the evaluation of rooms and recording spaces. Reach a high level of digital postproduction applying the most avant-garde technologies of the moment. Provide graduates with the tools to educate the ear in its acoustic and musical part continuously. Reach skills and abilities for the direction of musical productions with artists.

Requisitos

It’s required: -An university degree. -Experience and knowledge of an instrument, as well as musical language. -Basic knowledge of mathematics and physics consolidated. -Oral and written level of English proovable by interview. -This specific award is aimed preferably at students and professionals who want to specialize in the art of sound and music production. -The aim is to train masters of sound with the technical and artistic tools necessary to tackle successfully projects in the future.

Temario completo de este curso

1. MUSICAL ACOUSTICS I
Simple and compound vibration
The vibration and its parameters
The Helmholtz resonator
Standing waves
Instumental frequency range

2. PSYCHOACOUSTICS
Auditory perception
Perceptual scales: psychoacoustic
Perceptual attributes

3. ROOM ACOUSTICS II
Reverberation and delay time
Sabine equation
Reverb radius
Acoustic materials
Acoustic architecture
Algorithmic Reverberation
Convolution reverberation

4. EAR TRAINING FOR RECORDING ENGINEERS
The human ear
Loudness curves: Fletcher and Mundson
Scales and tonality
Frequency and harmonics
Recognizing intervals
Complex listening: polyphonic harmony

5. MICROPHONE TECHNOLOGY
Classes of microphones
Electronics and construction of microphones
The big and small diaphragm
Definition of the polar pattern

6. RECORDING TECHNIQUES I
Mono and stereo sound
Introduction to mono and stereo recording techniques
Fields of application
Advanced stereo recording techniques
Decorrelation FDSC
Time delay alignment in orchestral recordings
The culture of sound I

7. RECORDING TECHNIQUES II
Advanced stereo recording techniques
The binaural sound: binaural recordings
Recording techniques for 5.1 and 7.1 surround sound
3D recording techniques AURO 3d / Dolby Atmos
Ambisonic recording techniques 360
The culture of sound II

8. HIGH RESOLUTION RECORDING SYSTEMS
A/D and D/A Converters
PCM recording systems
Recording systems in DSD and DXD
Publishing and authoring stations in PCM, DXD and DSD
Audio network protocols

9. RECORDING ON LOCATION
Location Recording designs:
Session 1: Recording music group camera
Sesión 2: Solo recording
Session 3: Orchestral recording
Sesión 4: Choral music recording

10. MUSICAL & ARTISTIC PRODUCTION

11. INSTRUMENTS AND TUNING (Steinway masterclass)
The fretboard
Families of instruments
Tuning of key instruments
Tuning of wind instruments
Tuning percussion instruments

12. SOURCE DESTINATION EDITING S/D
Non-linear audio editing styles
The digital edition with score S/D

13. MUSICAL FORMS FOR CINEMA

14.THE MIX
Sound mixing workshop I
Advanced sound mixing workshop II

15. MASTERIZATION
Mastering workshop I
Advanced mastering workshop II

16. FINAL MASTER THESIS-RECORDING PROJECT (FMT)

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